Video Effects Boxes [e]

Video Effects Boxes are color correctors, titlers, sync-restorers and the like that were used to adjust consumer video signals. Effect type: Proc Amp Inputs: 1 Outputs: 4 Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: Aaa Effect type: Video Effects Inputs: Aaaa Outputs: aaa Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: https://www.korg.com/us/support/download/product/1/119/ Tutorial: Korg KAOSS-Pad-Entrancer Cat Full of Ghosts Abelton Live Plugin - MAX4LIVE Video Mixer Plugin Bundle (edirol + Korg) V1.5b - Etsy Korg Kaoss Entrancer / Korg KP-E Effects Index Effect type: Video Effects Inputs: Aaaa Outputs: aaa Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: CLASSIC GEAR: KORG KROSSFOUR https://www.korg.com/us/support/download/product/1/244/ Effect type: Titler Inputs: Outputs: Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: https://archive.org/download/manuallib-id-2723708/2723708_text.pdf Effect type: Titler Inputs: Outputs: Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: https://archive.org/details/panasonic-fx-titler-wj-ave-1-manual https://www.radiomuseum.org/r/panasonic_fx_titler_wj_ave1g.html Effect type: Multiple (color, digital, keying) Inputs: 1 channel Composite or S-Video with stereo audio RCA 1 external key Composite or S-Video (only used for Superimpose keying effect 1 stereo audio auxiliary channel RCA 1 microphone 3.5mm Outputs: 1 channel Composite or S-Video with stereo audio 1 headphones 3.5mm with discrete level fader Features: Color correct effects block, independently enabled/disabled RGB joystick Level potentiometer Hold toggle (does not allow further adjustment until Hold is disabled) Mono-color toggle Digital effects block, independently enabled/disabled All active effects are enabled/disabled together A/V Synchro toggle Strobe toggle with level control potentiometer Mosaic toggle (multiple levels) Paint toggle (multiple levels) Negative toggle Art toggle with level control potentiometer Still toggle Squeeze toggle Position toggle Superimpose effects block, independently enabled/disabled Key level potentiometer Store/Display buttons with 2 memory positions Scroll up and left buttons Edge toggle (multiple levels) Reverse toggle White or Color selectable – color controlled by Back Color control block Back Color control block. Used in Video Fade and Superimpose Effect blocks Level potentiometer Gradation toggle (multiple levels) Select toggle Cycles through White > Yellow > Cyan > Green > Magenta > Red > Blue > Black > (repeat) Color is reset to White on system reset Fade controls All fade blocks are controlled by the following two controls: Speed potentiometer Fade Start button Video fade block, independently enabled/disabled but tied to single fade control White, Black, or Color selectable – color controlled by Back Color control block Superimpose fade block, independently enabled/disabled but tied to single fade control Audio fade block, independently enabled/disabled but tied to single fade control Audio mixer for main source channel, auxiliary, and microphone Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: Circuit bending details: https://web.archive.org/web/20161025201901/http://karlklomp.nl/inf/ave3.html Service manual: https://archive.org/details/manual_WJAVE3_SM_PANASONIC RCA Studiopro Video Color Control Center (VCC1000) Release date: Effect type: Yitler and Colorizer combo Inputs: S video or composite Outputs: S video or composite Features: Enhance Color Tint Color wheel Chiclet keyboard Notes: Very useful in a feedback loop to control direction, speed, and blobs Is a white label device with multiple manufacturers and model numbers that look the same Release date: 2007? Effect type: Clip Player Inputs: Aaaa Outputs: aaa Features: aaa Notes: Clips must be in Motion jpeg 640x480 ntsc or pal aka MJPEG Easier to record video with the device itself than using the converter software Self-feedback Not capable of self feedback. The External Source function cannot be active while playing a video clip stored on the sampler. You can use the Composite output and S-Video output simultaneously. You can use this to glitch 2 different layers and mix them together with a video mixer, or bring a clean element back into a glitched effect, etc. https://static.roland.com/assets/media/pdf/p10_brochure.pdf https://static.roland.com/assets/media/zip/p10_imageconverterlite101_mac.zip https://static.roland.com/assets/media/zip/p10_sys_v112.zip https://static.roland.com/assets/media/zip/p10_ImageConverterWin_e.zip Third-party software https://github.com/cskonopka/rolandp10fp Https://mac.softpedia.com/get/Utilities/P-10-Image-Converter-Lite.shtml#download (I suspect this is just the Roland software.) Guild Member Feedback: v dotdot : “I had one for a year and found there to be latency and repeated frames when launching clips. I think the responsiveness might have varied depending on clip length, with still images being nearly instant and longer clips seeming to freeze playback for a few frames, which affected the vibe. It wasn’t the video analog to the SP-404 I was hoping for. Clips can be captured live or by loading them to an SD card after  converting them using Roland’s videos converter software. The converted files would work about a third of the time for me on Mac OS and I don’t think the long-abandoned software has worked on newer versions of  Mac OS in a while (32-bit maybe). So make sure you can run it or look for someone’s instructions on how to convert files with ffmpeg. I found the quality of the live capture to be poor and sometimes skipped frames. The effects were lacklustre, including the speed control. I liked the overall interface; the controls were easy to grasp, sampling and clipping was straightforward, and having all these clips mapped to big buttons was satisfying. I paid very little locally for mine and thought of keeping it as a basic clip launcher because it was nicer than setting up a laptop, but at the end of the day I was getting better performance from my 2006 MacBook’s native analog output running vlc and didn’t have to deal with the flaky converter software. So I sold it five years ago for great profit to fund the preorder of a video synth.” waitingRFQ: “Personally, I have only ever live-captured clips (from the composite input). I've never used the Roland converter software to load videos onto it. So that might explain my more positive experience. I don't remember experiencing any latency or frame repeats/skips, but it's possible that I did - it just wasn't bad enough for me to remember. And most of the clips I live-capture are pretty short (because I like them to loop relatively quickly) - maybe 5 to 15 seconds on average. Also, I'm pretty used to working with composite/old video devices that detract a bit from the video quality. Compared to many devices, the P-10 captures pretty clean for me. However, I bet if you export the live-captured clips to literally anything else besides the P-10, it will likely look like trash/low-res/compressed as hell/etc. Finally, it's just so sick to use something so close to a video-SP-404. It truly feels like one to me (more like an OG 404 vs the mk2, lmfao). I avoid computers at all costs, and I want to do more live shows. So I really just wanna quickly capture clips and assemble them into a few banks for me to play around with. The P-10 is a fucking amazing device. its main flaws are that 1) it's so unbelievably pricey and rare these days, and 2) managing sample data is more frustrating than it needs to be, but still quite good for its time. Hologram Jesus : “I have used the P10 for about 2 years now. It is my main source of clip playback during live shows and creation in the studio. It is fairly simple and straightforward to use. It has a crazy amount of banks and pads [72 Banks of 12 pads], and can sample nearly anything with composite or SVideo out. Its limitations come from its age- no hdmi, small clip time, lower quality of video, and a clunky converter software to name a few. If you either want to avoid using a computer for live shows, or find a great deal on one I recommend it. Personally the limitations of the device outweigh the all analog aesthetic and I plan to get a laptop. That being said, I don’t see myself parting with the P10 anytime soon, as the resample workflow is very simple and it always helps having another source generator laying around. Links: Reverse engineering the clip loader - https://scanlines.xyz/t/edirol-p-10-file-spec/650 Effect type: Titler Inputs: Outputs: Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: https://www.ebay.com/itm/156395922102 https://cg-wiki.org/_media/sima/sima-video-studio-500-manual.pdf Effect type: Colorizer Inputs: Aaaa Outputs: aaa Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: Aaa Effect type: Colorizer Inputs: Aaaa Outputs: aaa Features: aaa Notes: Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: Aaa Effect type: Titler Inputs: 1 Composite RCA 1 S-Video Outputs: 1 Composite RCA 1 S-Video 1 Compose RCA Preview Out Features: aaa Notes: Power Supply: 9VAC @1A. Barrel Jack Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: https://cg-wiki.org/_media/videonics/videonics_tm2000_manual.pdf Videonics Titlemaker 2000 tear down Effect type: Titler Inputs: 1 Composite RCA 1 S-Video Outputs: 1 Composite RCA 1 S-Video Features: aaa Notes: 12VAC 1amp barrel jack Compared to the Titlemaker 2000, the TM-1 does not have a preview output. Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: https://www.ebay.com/itm/126422030070 Videonics Titlemaker Repair Effect Type: Colorizer Video Inputs: Composite (x1) S-Video (x1) Video Outputs: Composite (x2) S-Video (x1) Features: Internal Feedback - Power Supply: PWR5-0001 - 15watt -5v DC 500ma +5v DC 600ma Insert picture of male power cable and female port Unusual power supply; out-of-production now, and very hard to find on used markets Someone from the community made a 3rd party power supply. https://networkxxiii.xyz/product/bryce/ Notes: Classic Gear: Videonics Video Equaliser https://scanlines.xyz/t/video-hardware-with-unusual-rare-power-supplies/845 https://scanlines.xyz/t/videonics-ve-1-not-ve-1a-adapter-hunt/442 https://scanlines.xyz/t/videonics-video-equalizer-ve-1-psu-build/680 https://reverb.com/item/3152664-videonics-video-equalizer-circuit-bent-visual-synthesizer-visuals-art https://www.youtube.com/watch?v=ayzeNvQgRJ4 Possibly min DIN6? Links: Aaa Effect type: Colorizer Inputs: Aaaa Outputs: aaa Features: aaa Notes: 12VAC @800mA barrel jack You can differentiate the VE-1 (power rocker switch) and the VE-1A (power on Split Screen knob. Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: Confirmed VE-1A https://www.ebay.com/itm/126422059180 This appears to be a VE-1 mislabeled as a VE-1A. https://www.ebay.com/itm/116062252193 Effect type: Colorizer Inputs: 1 Composite Outputs: 1 Composite Features: aaa Notes: 12VAC @ 800mA Self-feedback Is it capable of self-feedback, if so, describe the signal chain. Links: https://www.ebay.com/itm/386387950694